Death in High Heels by Richard Harris, Christianna Brand
On stage 17:30pm, 13th — 16th February 2019 at the the Drama Studio
It’s a big day at Christophe et Cie, a small couture house off Regent Street. Mr Bevan will announce which of his staff he is sending to France to be the general manager of a new branch in Deauville. Will it be the talented and elegant Miss Doon or the loyal and long-serving Miss Gregory? Perhaps senior sales-woman Irene or showroom manager Dorian will get the job. Events take a dramatic turn over lunch when one of the candidates collapses and dies.
Inspector Charlesworth and Sergeant Wyler are sent to investigate a murder behind the gossip and glamour of a 1930’s fashion house. Secrets and lies are rife as more than one person harboured resentment towards the victim…
- IRENE BEST
- The most senior member of the sales staff. She is brisk and efficient but insecure and not averse to a little sentimentality. She is the mother figure of the piece, with unfulfilled ambitions of her own. Irene can be a bit of a ‘know it all’ at times, and she is a bit of a brown noser, but she does genuinely want what’s best for the salon and its staff.
- FRANK BEVAN
- The proprietor of “Christophe et Cie”. A ladies’ man of mature good looks he is charming and self-satisfied. If he was a Mars bar he’d eat himself. Sporting a pencil-moustache and slicked down hair he is a seasoned womanizer, targeting various members of staff and pitting them against each other with false promises.
- ROSE MACINERNY “Macaroni”
- The general factotum and most overtly comedic role. Endearing, clumsy, enthusiastic. She is mousy and does not bother with make-up. Incredibly willing but mentally slow. Some might suggest that this slowness conceals a native craftiness. She has the memory of a sieve. Think Mrs Overall.
- ZELDA GREGORY
- The boss’s right hand. Tall, angular, stately, heavily made up and dressed with immaculate care. She has cold eyes and most of the staff are terrified of her. Short tempered, abrupt, and work obsessed. Think Duchess of Windsor.
- DORIAN POUVIER
- The showroom manager. Rather fussy, exacting and self-important. A shining example of ‘bitch and stitch’. Dorian is a closeted gay man in 1937 and he wants this secret to be kept quiet. Dorian may be a perfectionist but he has a softer side and is popular with the other sales staff.
- RACHEL GAY
- The “vendeuse” (sales girl). She started her working life as an actress. She has not had the easiest time but tries her hardest to muddle through. Rachel has a six-year-old son and an awful marriage. She also had an affair with Mr Bevan and is worried about her messy impending divorce and her indiscretion overlapping. Very popular with the sales staff.
- AILEEN WHEELER
- The model. A languid goddess much influenced by screen heroines. Streamlined eyebrows, the lot. She drifts rather than walks and affects an upper-class drawl that sometimes slips to reveal her London working class origins. She is ambitious, no filter, bubbly, fun-loving and brash. She has a lot of costume changes, some of which will happen on stage.
- CAROLINE DOON
- The boss’s left hand. She is well dressed in somewhat exotic clothing. Always smoking. Unreadable, changeable, sly. She’s a strong woman and afraid of no one. She is often lurking in the background listening to and silently mocking the others. She is Australian or possibly American (you have to be able to do a convincing accent for this role).
- INSPECTOR DAVID CHARLESWORTH
- The good cop. Incredibly engaging character. Good looking, charming, unmarried. He has a deceptively casual manner and is at times a bit flirty. He is the inspector sent to investigate the murder and holds together the second half of the play. He could probably charm a confession out of the most innocent person and he doesn’t miss a trick. Think a better dressed, good looking Columbo.
- SERGEANT LILIAN WYLER
- The bad cop to Charlesworth’s good cop. She is a solid, no nonsense woman but still feminine. Wears an off-the-peg tweed suit and flat shoes. A woman fighting for recognition in a male dominated world, she is no fan if the environment which she presently finds herself and does little to hide the fact. She has a good camaraderie with Charlesworth. She is very focused on solving the case and takes notes throughout.